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Jean-Louis André Théodore Géricault (French: [ʒɑ̃ lwi ɑ̃dʁe teodoʁ ʒeʁiko]; 26 September 1791 – 26 January 1824) was an influential French painter and lithographer, known for The Raft of the Medusa and other paintings.Although he died young, he was one of the pioneers of the Romantic movement. In November 1818, a 27-year-old Théodore Géricault, who until then had been inspired mainly to paint the horses he rode at Versailles, sealed himself in his Paris studio and worked dawn to dusk on a huge canvas of dying men adrift on a raft. In early nineteenth century France, the arts were controlled by the Académie des Beaux-Arts (Academy of Fine Arts). Lukisan nang ulah pas abad ke-19 ngini dianggap sabagai ikon romantisisme nang manggambarakan aspek kamanusiaan wan pulitik. It was decided to cut the ropes, leaving the raft and its occupants to their fate. It depicts a real event, and the painting was created with the purpose of drawing attention to that event. Main Tendue Romantisme Noir Crayon Noir Art Grec Dessin Corps Humain Peinture Classique Dessin Artistique Mains Dessins. Much of its deck was under water. Théodore Géricault, The Raft of the Medusa, 1819 20 Aug. In its brutality, realism, and raw emotion it captures the essence of a historic event that shocked the French public, a Revolution-weary public that was not easy to shock. La toile The Raft of the Medusa et des reproductions de tableaux de maîtres – dans la collection Théodore Géricault chez bimago vous trouverez une large gamme des oeuvres de cet artiste. The emotions of fear, pain, and madness are writ large. Scenes of shipwrecks culminated in 1819 with Théodore Gericault's strikingly original Raft of the Medusa. Completed when the artist was 27, the work has become an icon of French Romanticism. Based on an1816 shipwreck, the painting depicts survivors forced to endure dehydration, starvation and cannibalism. Théodore Géricault was something of an exception, but he was separated from his immediate predecessors both by temperament and by the sincerity of his approach. Théodore Géricault - The Raft of the Medusa, 1818-19, on view in Louvre - Image via savagemythology.com. Individual suffering rather than collective drama is vividly portrayed in “The Raft of the Medusa” (c. 1819; Louvre). Théodore Géricault, “The Raft of the Medusa” (1818–19), oil on canvas, 193.3 × 281.9 inches (via Louvre Museum/Wikimedia) Théodore Géricault naît dans une famille aisée de Rouen, originaire de la Manche, à Saint-Cyr-du-Bailleul où un lieu-dit du même nom, l’« Hôtel Géricault » existe toujours. Everyone has their bad days, the 2nd of July 1816 was a particularly bad day for Viscount Hugues Duroy de Chaumereys. It shows a moment of high suspense between fleeting hope and utter despair. Telling the horrific and scandal-ridden story of disaster at sea, it became an immediate celebrity, and even its tragic deterioration (due to his extensive use of asphalt) has not lessened its popularity in the Louvre. This, Géricault’s… https://www.dailyartmagazine.com/theodore-gericault-the-raft-of-the-medusa He quickly came back to Paris amidst his stay halting in transit in Brussels to visit the immense Neoclassical painter, Jacques-Louis David, who was living there estranged abroad. Toile sur Chassis: Théodore Géricault, "The Raft of the Medusa, 1819", 80 x 54: Amazon.fr: Cuisine & Maison Choisir vos préférences en matière de cookies Nous utilisons des cookies et des outils similaires pour faciliter vos achats, fournir nos services, pour comprendre comment les clients utilisent nos services afin de pouvoir apporter des améliorations, et pour présenter des annonces. Théodore Géricault's epic work, The Raft of the Medusa, is a formal triumph charged with energy, drama, and theatrical grandeur. The crews of the boats soon realised that towing the raft was impractical and began to fear being overwhelmed by the desperate survivors on the raft. Acknowledged as one of the great masterpieces of early French Romanticism, the painting is a true tour-de-force, if an obsessive one. The Raft of the Medusa (Le Radeau de la Méduse) adalah karya lukisan cat minyak nang diulah ulih pelukis wan panulis litografi matan Parancis nang bangaran Jean-Louis André Théodore Géricault. The Raft of the Medusa, by Théodore Géricault, can be seen today in the Louvre, Paris. Following the energized reception of Raft of the Medusa at the 1819 Salon Gericault made a trip to Britain, where he remained for over a year. The work was based on the wreck of a French frigate off the coast of Senegal in 1816, with over 150 soldiers on board. Very much a conservative organization, the Académie was strict in who was allowed to be a member and what kind of art was allowed to be exhibited in their Salons. La toile Study of a Torso for The Raft of the Medusa et des reproductions de tableaux de maîtres – dans la collection Théodore Géricault dans la galerie bimago vous trouverez une riche offre des oeuvres de ce peintre. Théodore Géricault (1791–1824) Autres noms: Jean Louis Théodore Géricault: Description: peintre, artiste graphique, sculpteur et lithographe français: Date de naissance/décès: 26 septembre 1791 26 janvier 1824 Lieu de naissance/décès: Rouen: Paris: Lieu de travail: Paris, Angleterre: Autorité: The Event That Shocked the French Public. Théodore Géricault. The story of the painting itself is nearly as dramatic as that of the scene it depicts. In the June of 1816, the frigate Méduse set sail with … The Raft of the Medusa (French: Le Radeau de la Méduse [lə ʁado d(ə) la medyz]) – originally titled Scène de Naufrage (Shipwreck Scene) – is an oil painting of 1818–19 by the French Romantic painter and lithographer Théodore Géricault (1791–1824). Théodore Géricault, Raft of the Medusa, 1818-19, oil on canvas, 4.91 x 7.16m (Musée du Louvre, Paris) Learn More on Smarthistory The raft of the Medusa – Théodore Géricault. Fichier:JEAN LOUIS THÉODORE GÉRICAULT - La Balsa de la Medusa (Museo del Louvre, 1818-19).jpg Hanging in the Louvre, it measures sixteen feet high by twenty-three feet wide, quite a bit larger than life. It's overwhelming and unsettling. Initially the viewer is aware of it's enormous scale , as the piece occupies a canvas 16 feet by 24 feet in totality, which has the effect of dwarfing the observer and adding a heroic or larger than life presence to the characters. You're confronted with visceral material. 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